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Summary
Fátima Vieira and Marinela Freitas,
Utopia(n) Matters: Introduction;
James Edward Arnold, Utopia
Matters: a personal testimony; Vincent
Geoghegan, What is your field?;
Andreas Friedrich Halle & Herb
Buchlowski, On the exit from
one’s cave: Utopian thoughts on language diversities;
Timothy Miller, Out
to save the world: scholars and the utopian vision;
Tom Moylan, Why
I am a member of the “Party of Utopia”; Ruth
Levitas, Utopia Matters?; Lyman
Tower Sargent, Utopia Matters!;
Lucy Sargisson, Why
utopia matters; Raymond Trousson,
Pourquoi l’utopie?;
Alberto Dias de Carvalho,
From Contemporary Utopias to Contemporaneity
as a Utopia; Maria Elisa Cevasco,
Criticism as Utopia; Millay
Hyatt, Postmodern Utopianism:
Deleuze and Guattari and the Escape from Politics;
Carlos Eduardo Ornelas Berriel,
Brief Notes on Utopia, Dystopia and
History; Lyman Tower Sargent,
The Intersection of Utopianism and
Communitarianism; Serena Anderlini-D’Onofrio,
Holistic Organizations, Intentional
Communities, and the Global Peace and Justice Movement:
Gaia at Alcatraz, Italy; Kunihiko
Chiken, Utopia and Agriculture:
Reconsidering the Reforms of the CAP from the Standpoint
of Owen’s Communitarianism; Joe
Phelan, “The Good Time
Coming”: British Utopian Socialism in the Wake of
1848; Anna Vaninskaya,
Literature and Propaganda: The Socialist
Utopia of Robert Blatchford; Siân
Adiseshiah, Utopian Gesture
in the Cold Climate of Thatcherism: Caryl Churcill’s
Top Girls and Fen; Hélène
Greven-Borde, The Dynamics
of Space in the 20th Century Utopian/Dystopian Fiction;
Vita Fortunati, Art
as Utopia in European Avant-garde Movements; Paola
Spinozzi, Art and Aesthetics
in Utopia: William Morris’s response to the challenge
of the “Art of the People”; Karl
Traugott Goldbach, Utopian
Music: Music History of the Future in Novels by Bellamy,
Callenbach and Huxley; Henrique
Gomes de Araújo, Music
and Utopia: The European Anthem: Kant, Schiller and Beethoven;
Renata Koba, Cyberpunk
versus Empire: Constructing Technotopia in the
New World Order; Feride Çiçekoǧlu,
Images of Utopia and Dystopia: From the Sea to Hiperspace |
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