Summary
Fredric Jameson, The Antinomies of Utopia; Peter Fitting, Fredric Jameson and Anti-Anti-Utopianism; Maria Elisa Cevasco, Producing Criticism as Utopia: Fredric Jameson and Science Fiction; Dougal McNeill, Reading the Maps: Realism, Science Fiction and Utopian Strategies; Ian Buchanan, Ideology and Utopia in the work of Fredric Jameson, or, the Counter-Revolution in the Revolution; Verity Burgmann, Archeologies of Anti-Capitalist Utopianism; Jess Whyte, Critiquing the Violence of Guantanamo: Resisting the Monopolization of the Future; Maria Elisa Cevasco, An Un-Original Tale: Utopia Denied in Enuma Elish; Kate Rigby, (Not) by Design: Utopian Moments in the Creation of Canberrs; Darren Jorgensen, The Utopian Imagination of Aboriginalism; Andrew Benjamin, The Illusion of the Future: Notes on Benjamin and Freud; Dimitris Vardoulakis, The Pure Machine’s Gambit: Walter Benjamin’s Thesis I; Eugene W. Holland, The Utopian Dimension of Thought in Deleuze and Guattari; Paul Jones, ‘Tragic Utopianism’ and Critique in Raymond Williams; Rob Baum, From Herland to Outland: The Changing Anatomies of Gender Dystopia; Jacqueline Dutton, Three French Futures: Australia, Antarctica and Ailleurs; Toby Widdicombe, Margaret Atwood, Doughnut Holes and the Paradox of Imagining; David Jack, Science Fiction as Historical Novel: Michel Houellebecq’s Les Particules élémentaires; Andrew Milner, Framing Catastrophe: The Problem of Ending in Dystopian Fiction; Lyman Tower Sargent, Eutopias and Dystopias of Science; Maurice Blanchot, The Proper Use of Science Fiction